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53, 1 (2022)

Winter 2022

  • Hannah Weaver, “Interpolation as Critical Category”
  • Adrienne Ghaly, “What Does Biodiversity Loss Feel Like? Realism in the Age of Extinction”
  • Arthur Rose, “Recovering Franz Kafka’s Asbestos Factory”
  • Cajetan Iheka, “Intricate Intimacies: Reading the Transatlantic Queer in Dinaw Mengestu’s All Our Names
  • Andrew M. McClellan, “Lil Wayne, Imitatio, and the Poetics of Cannibalism”
  • Garrett Stewart, “Verbal Fframe-Advance: Toward a Cinematographic Sentence”
  • Tobias Skiveren, “Postcritique and the Problem of the Lay Reader” | Download Article >>