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53, 1 (2022)
Winter 2022
- Hannah Weaver, “Interpolation as Critical Category”
- Adrienne Ghaly, “What Does Biodiversity Loss Feel Like? Realism in the Age of Extinction”
- Arthur Rose, “Recovering Franz Kafka’s Asbestos Factory”
- Cajetan Iheka, “Intricate Intimacies: Reading the Transatlantic Queer in Dinaw Mengestu’s All Our Names”
- Andrew M. McClellan, “Lil Wayne, Imitatio, and the Poetics of Cannibalism”
- Garrett Stewart, “Verbal Fframe-Advance: Toward a Cinematographic Sentence”
- Tobias Skiveren, “Postcritique and the Problem of the Lay Reader” | Download Article >>