52, 1 (2021)

Winter 2021

• Joel M. Childers, “The Romance of Criticism”
• Cecilia Feilla, “Future Perfect History: Historiography and Republican Space-Time in French Revolutionary Theater”
• David Kurnick, “Jane Austen, Secret Celebrity, and Mass Eroticism”
• John Lurz, “The Sorceress’s Apprentice: Roland Barthes and the Criticism of Magic”
• Rita Felski, “Recognizing Class”
• Ana Schwartz, “Anne Bradstreet, Arsonist?”
• Kayvan Tahmasebian and Rebecca Ruth Gould, “Ajnabi, Or the Xenological Uncanny in Iranian Modernism”
• Eric Weiskott, “Futures Past: Prophecy, Periodization, and Reinhart Koselleck”